Joy! From this to this!
I don’t feel any responsibility for it now. It can stand on its own and fight its own battles.
Ok, so it may not be totally finished, as in finished, but I have been cutting those creative apron strings. In cycling terms it is off the stabilisers and is pedalling away.
The last few stages are always the worst – there is more to lose with each decision, but it is now in the last fester stage of blocking, stretching and framing and the occasional tweak. One of the very worst is sorting the backing fabric – this stayed determinedly bright white so an attack of tea and dye took place!(Yep, an English Summer – outside in the rain) This can affect how the colours work against each other, I’d been judging and building against a white ground – and now it isn’t…….
7.30 this morning – want to get this done.
Things to consider – the “white” trunk. Too short, too white (it is pale blue and grey, but it was a rayon thread so shows up cleaner and brighter than the matt finishes around it). Have already extended the trunk into the canopy but more required upwards and downwards. Did too many height extensions on the tree – looks like Mr Whippy (soft icecream before you get too excited) . Not sure how it starts and finishes – I had wanted to leave the margins emptier and build the complexity toward the centre, just plain got carried away. Do I deconstruct or leave – do the margins look deliberate or not? Asking the question is enough of a warning.
And so this it….. at the moment, perched in the garden while I have breakfast…..
And sorted. single line suggestions for the cow parsley foliage, more density on their heads, grew the tree trunk, added more rayon to the tree top and attacked the ground line with the dread tweezers.
Now the path looks stilted and “neat”. Tree looks like taking off, cow parsley leaves have disappeared.
It will look different depending on the light. Repeat, repeat, repeat.
May never win.
How about reducing the size? or switching to larger stretcher? or just having some more toast….
It is much denser than last year’s work, why? There is much more of the worked textures but without that cavalier attitude to colour – is it less or is it just refined and redirected? This feels heavy? heavy can be fine, lunpen or clumsy is not. Is this just because it was later in the day and also later in the year? I do find mid summer woods oppressive.
More fester required!