Stone in My Shoe

Yup. Annoying, painful, niggling, just has to be dealt with before moving on.

Meet Wold and Vale – the latest offering from House of Brammer ( or at least – Cluttered Workroom of ‘Er on the Corner).

 

Fran Brammer_Wolds and Vale _freehand machine embroidery

This caused some real heart ache. I completely lost the vision and faith in that vision. It became a mess – bitty, dirty, un-everything,  in fact the total focus of a major grump.

Now I nearly like it, some days.    It has been  cut about, dyed, abandoned, rained on, bullied, brutalised,  and now  it is plucked, preened and pressed. It hasn’t the clarity  I wanted initially but has something else that I haven’t defined yet.  The all over composition doesn’t have the theatrical space that I usually build in – something I have been experimenting with this year. Some  look askance when I say that linear perspective is an easy composition device, but working without those zooming lines and focal points, or even a defined picture, is  still a struggle.  I look back to those happy days of abstract painting and collage, I wish I had kept that brain and not swapped it for one that now sees pictures.

The stages of making are in the slide show- click on them for brief captions, play spot the sequins.

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The surface on this one is delicate due to the extreme plucking , see detail  pics, so it will have to be under glass ( didn’t stop me hoovering it to pick of the stray fibres though….)Wolds Vale plucking detail.

Usual questions – do I take it further? Make it more pictorial?  Too obvious-  Is this piece really only a background?  I think  frame it as is but have a rework as an option – so leave on the surplus fabric and plonk it in a frame (sorry- carefully stabilise and place carefully in an entirely enchanting mount and frame).

 

 

Just  another day in textiles land –

 

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