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New Garden

20190702_083204-collageAnd this what happened…..  P1180545

after those more exploratory photos, after deciding just to use line and layer  and layer. I want the complexity of the plants growing in and through each other, the idea that it changes, it is emphemeral, and makes its own rules….   then there is the sheen on the velvet – as you can see at times the stitching just disappears. Usually when I am trying to sew it!img_20190703_171509739

At the next stage – some how the pink helps a little- it is the hottest, boldest pink I have over the top of flame red! The background isn‘t really this dark,  more of a golden greeny darkish sort of colour – but mostly all you notice is the velvet’s plush surface quality.

All this is how it is now. It is in a plain frame testing whether it looks finished – I think it might be. The temptation is to add more, and more, and then some fabric bits, some texture, but I am still trying to keep it pared down in the lumpy bumpy department.  Still not sure it looks like mine, some of the shapes…. ? and that emerald green… far too close to veridian…more adventurous with detail or less?… variety of scale?  I guess more to do.

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And don’t forget the York Textile Artists’ exhibition in Knaresborough – on until 19th July and totally amazing. See our social media or sign up for the group’s newsletter for the preview’s photos. I also heard this morning that I have been selected for the Great North Art Show so see you in Ripon!

 

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Exhibition ON

The Art in the Mill Gallery, Green Dragon Yard, Knaresborough, Yorkshire.  Wild about Textiles, summer selling exhibition by the York Textiles Artists group. On until 19th July.  Utterly gorgeous, please visit, and if you don’t know Knaresborough, it is a gem of a market town, medieval castle, Mother Shipton’s Cave,…..

Advert over: back to the garden series.p1180508

Well, that didn’t take long.  All of the garden worp1180487-collagek so far is in Knaresborough, looking good, but it is their first public appearance so please be nice!  A new length of muslin has been painted to make scarves, a piece of velvet has been tie dyed and is drying in the garden so new work is about to happen.    I have been sat in the garden with a camera while I wait, which  is fine,  but I don’t want to stitch a photo. The first batch are too ‘ picture’, I would end up copying detail and perspectives. Not what I want from this series, so I have been changing depth of field, focus, lighting, really playing with how I use the camera.

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And  so much better. This is closer to how I have been painting the fabrics and stitching, those layers, part seen shapes, edges, blurring, patterns and suggestions. Is this more control or less?   Now to start on the front flower garden! 

 

 

Garden III

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Garden III is making slow progress,  more of that, garden II is about to be properlyframed, but what has taken most energy is prepping for the Knaresborough exhibition. All that needs doing is finishing work, framing, newsletter, social media promotions, co ordinating group members and gallery, herding cats, biting furniture, gentle running round in circles and mild panic. And all of the usual day to day business as well. Which all equals chaotic headless chicken-ness.

It is going to be fun. Just a couple of weeks to get it sorted out.

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And back to Garden III  – This has been stitched, trimmed, plucked and stitched; and still doesn’t look much different. The first layers of flowers are in place – these will be the amorphous blobs in the background with bolder shapes and tufts of fine silk to give it body over the top. The velvet is enjoying itself, it is eating all of the colour I put on, do you believe there is burgundy, royal purple, dull straw and  bright straw, bright navy and of course 5 shades of green, and pale grey and white in there?

There is the splashes of flower colour, stems and balancing to do, and then it will be done. Say it quickly, and it sounds easy….

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garden II: ii

Not much mileage yet, but ideas and prep are in train. I shall claim to have been distracted by a visit to Croome Court, Worcestershire , and Grayson Perry’s Battle of Britain and Landscape tapestries.  His work is always worth a look, these were impressive, detailed and full of quirky character.

I am still not entirely sure that these are finished, they are loosely placed in raw frames, just to get an impression.  They are not as I had thought initially or planned initially, mostly because of the quality of the velvet, as a colour, and as a surface.

In garden III  there will be less velvet, more spaces, and a more simplistic approach.

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The hold up is waiting for the velvet to dry after last minute dyeing. It has a denser and longer pile than before and was originally a plush golden beigey browny non colour, and is now a lustrous beigey olivey green with a bit of a bed-head nap.

It will be based on this sketch from the parents’ garden. And to be awkward I might img_20190605_162822617try this old sample of embroidery. Current plan – loosely applique the velvet to the base-  underlying the hedge and flower areas. Probably patched to get different directions of nap. Dense cross hatching on the hedge. Then lines describing the foliage and flowers will be in a dark neutral and  colour and details will follow.

How much will be as expected? Hmm…

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Don’t forget the upcoming York Textile Artists exhibition, “Wild About Textiles” , in Knaresborough. Preview on 28th and then it runs until the 19th of July. Should be great fun, it is a very friendly gallery and a beautiful historic space.

Garden II

Great things are happening! Huge progress made!! It looks fab! You will be amazed!!!

Well, I would be too.

In other words – status = fairly normal. But in a big way.

There are elements that are coming together – I am not trying for an identify the flower, walk that path, kind of image – too obvious?  My garden is about growiness not rigid control or any form of ‘aren’t I clever’. It tends to happen, mostly without me. I let things grow to find out what they are and also let them stay long past their ‘best’. It is this chaotic nature I want, the mixture of shapes and forms aswell as colour. At the moment a native geranium is wrestling for world domination with the ladies mantle while the bugle knows it is still king, the rebellious  forget me nots  are in colonising mode, and the giant poppy plants – new arrivals this year- who have seeded in weird places  currently looking like snooty lettuces…..

I sit and watch and just dwell. The individual plants are not important, it is the whole, seen from the corner of an eye,  how it moves in the wind, the sounds, the light catching foliage edges or reflecting off raindrops, glimpses of form and colour. That is what I want on cloth.  Not too much?img_20190526_085215897

So layering, cutting away, drawing shapes and patterns, multiple layers of colour and stitch, incomplete edges, suggestions and hints. And this is the beginnings. The shot velvet is a menace but also gives alot, I have found that I can pluck it with the Pointed Tweezers of Doom and create areas of a smooth soft brick red. The thread colours are gobbled up by it but remerge if enough stitching is done. The laid fabric goes into a strange perm-like frazzle if pushed. All in all it is an adventure.  img_20190526_085241263

At present the purples dominate but the next colours are going to be other brights, pale blue, mauves, hot pink and an orange or two, to create more focal points. Then more green and blues and deep colours to disrupt or emphasise those and then….. don’t know. Everything is changing as the idea gets its corners worn off and new opportunities arise.  Bit of a roller coaster actually, and not a gin bottle in sight!

New Garden Projects

20190516_124404-COLLAGESunshine, warmth and of course rain (it is Britain), and the garden is getting busy.  In the quest to be too busy to mow the lawn or cut the hedge I have been quite diligent  in exploring the idea of the textile garden.20190506_093118-COLLAGE

It began well; layers, lines shapes, but then it went all cutesy and fluffy minded.  OK, one target was to create an easily accessible method and style for teaching.  Mackintosh flowers later and that was done, shame about the rest.

IMG_20190509_135538576img_20190509_135503315.jpg In the time honoured manner I tried to make progress by going sideways. Sketching focused the mind and made me think about how I wished to use line, colour, shape etc. Then a taster pack of Setacolor fabric paints arrived. The initial experiments with them were only partly successful –

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I was playing with getting the balance of line and colour wash,  handling the interaction and density of colours and then seeing what would happen with a spot of over dyeing. So, the lines are tooo heavy in one area and too fugitive in another, the colours  went muddy but it has potential.

And then, can I translate drawing and painted lines into stitch? For some reason I chose a touchy feelly base fabric rather than  flat calico-  a two tone velvet. I  trid to bleach it to break up the colour but very little happened apart from wreaking the pile so it is now rather crushed.  The rayon threads work well although the varigated fades in and out a bit too much.  Single lines are swallowed by the nap and colours will probably need to be more saturated than usual. The high contrast bobbin thread being pulled to the top surface is looking promising.

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Questions will be about scale? how much definition or detail? how do the fabric inclusions work with the line? How much realism? is it visual texture or actual lumps and bumps?  Plenty to play with! Trying to re educate  is always a pain but I am beginning to like the jumbles/intricate layers of shapes and want more spaces and less lump. I have painted  some scrap silk to tear and apply with the same shapes and colours I want to stitch.  Quite looking forward to next week!

Thank you to all who supported my sale event, very sucessful though there are still a few pieces waiting for a new home. Check out my facebook or website for a fortnightly offer.  I have also volunteered to take over writing the monthly newsletter for the York Textile Artists group. I did warn them and hope they don’t expect me to be too sensible!

 

 

Textile Artist, mid dither.

20190503_150538-collageLIMBO. I am amusing myself with the big stonelandscape- now called Bob. I have worked hard on it but it still feels as if I am waiting for the some thing else to happen.  

Setting up for the sale event this coming weekend is not helping me to focus – selecting and hanging the work was the easy part, trying to publicise it on social media is frying much needed braincells.

If you would like to come it is running Sunday and Monday in Acomb, York – contact me for details.

Hopefully when that is over it will settle down and I should be able to close the door on the junk/storeroom without fear of avalanche.

I am also toying with a floral theme for workshops for the Viking Loom (most strange). Mad, crazy things full of texture and colour, or should they be serene and controlled and terribly elegant? No prizes for guessing which. Doing samples tomorrow, so bye bye clean carpet.

The head is definitely not fully engaged- probably good thing – I keep having random thoughts and distracting myself-  seeing as I work with an uncaged powertool (sewing machine) should I be wearing protective clothing – steel toecapped boots? hard hat? One of those chain mail gloves that butchers wear to protect against the unguarded blades (scissors) puncturing tools (awl, needle, pins). Can I have one of those saggy tool belts constuction workers wear? Hmm, problem with being a textiley person is that the braincell is now wondering if I could make it in some left over chintz? And which interfacing?

But as for Bob? He is blocking the hallway at present. img_20190505_161610861I did subtle paint treatments to add depth and more stitching, yet random thought this morning was it needs drama, big gestures, lines etc. String didn’t hack it, so out with the strips of waste sari silk. I can’t decide if this is a good idea or not, or how many or few, so placed it where it would cause maximum disruption and I can not ignore it. (Plan well and truely scuppered by going out to the Pocklington area Open Studios for the day. Some lovely textiles on show, but fell for  a little lino print.)

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Scratching Hare – Pete Edwards