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Texture Workshop

The next 2 weeks are  to be spent exploring textures in the workshops-  looking at raising and lifting surfaces, adding in and taking away.  Mixing techniques and combining processes to make that shift away from craft into art textiles. Workshops will run on Wednesday and  Friday  of the following week.

Contact if you are interested.

Up comong events –

York Textile Artists at the Cemetery Chapel, York,ytaexhibflyer100

Askham Bryan  event

Standing in a hut in the middle of Middlesborough in December

Also breaking-ish news – will be doing the YOS19 next April.yos19

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Poppies

york textile artist logotmbBeen  dotting about and fairly busy, so the only sewing I have done this week is a distraction…is it possible to have pre-emptive brinkmanship?  Talk about organised,  actually made these for an exhibition  I am part of over Remembrance weekend in November.  We are at the Chapel in York Cemetery (beautiful Classical style building and not at all creepy) on Remembrance Sunday – which going to the hundred years since the end of the First World War.

There are 9 of us exhibiting as a textile group so it seemed appropriate to make a hundred poppies between us and hopefully sell them with the funds going to the British Legion.P1180230

These were fairly simple to make, technically a bit twitchy, but pretty effective.

The idea was to make simplified, wearable fabric  variations based on the iconic British Legion poppies. The fabric is a quite light weight fulled wool, which gives it a kind of felted , matted surface so it shouldn’t fray(!) The stitching is intended to give shape and modelling rather than aiming for  decorative thread surfaces.

The problem with free machining is that it causes distortion  as the stitches pull the fabric. This is what I am using to give the 3D shape to the flowers.  I did try with different threads but settled on a very thick top thread and a standard dressmaking thread underneath. The imbalance gave the most exaggerated distortions

P1180231but it took a bit of fiddling to get the tensions right.  The spiral pattern made cones, the petals created  lumps and bumps and it all worked best on a solid piece of fabric not individual petals. I did try, but kept falling off the edge as the fabric constricted so spent forever digging bits and tangles out of the needle race. (Pah)

The finished ones have silk velvet centres and brooch backs. They are simple, direct and hopefully effective enough to be attractive, and to take their place in the group piece.

The new season of workshops is out now – check the Want to Try tab for more details. There are fewer, different  timings and prices, but still in York , small, informal and friendly.

 

 

 

Open Studios in York

The event is here! One weekend done, one to go! Venue 23 is amazing- I am biased, but you are all invited. The colour scheme is Cotton White above, and Potting Shed below the picture rail.

It is always hard work, time consuming, and fun. People I would never usually meet but who share an enthusiasm for textiles wander through the door looking just as normal as can be, and just reveal their interests through  conversation.  Enjoyed doing a few quick demonstrations – even had a couple of people having their very first go at freehand machining……  Probably Malcolm the Bernina has behaved like a gentleman.

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Most common question so far – how long does it take?

Most difficult –  Where do you start and how do you develop it….  Thankfully have a little cycle of photos going on the TV that I can burble through.

Major points of interest – use of colour, use of text, water soluble fabric.

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Things I regret – trying to clean the windows (quality smears). Also the temperamental behaviour of my laptop/internet!  – If you are trying to contact or follow me on facebook – just email……

Still waiting for my millionaire to come through the door and insist on buying everything ,  I would resist of course, at least for a minute or two.

Most amazing thing – people are so nice about not wanting to walk in on the ex-beige carpet and get it dirty.  If only they knew……

 

A  new set of workshops are just about to be published – email for a copy if interested.

 

blossom st gallery for local linkMajor countdown is starting!   Time to stop thinking about doing things and decide to do them or not, and then get on.

5 major new pieces and the current workbook are now on show in York. They are safe, totally finished , so I can forget about them for a bit. Shame I didn’t make proper records of them before taking in, but too late to fuss now.

The exhibition comes down at the end of March. YOS Logo Short_CMYK 2018 The Open Studios event starts on the weekend of the 14th of April.

2 week turn around. Very do able. Not a problem.

Unless they sell.

Hmm.

 

Finally managed to visualise the next steps in the written landscape series – it is getting more 3D and less of a ‘picture’ outcome.

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I have several mini garments on the go, different scales, fabrics and degrees of completion and finish.  Most are in a light calico – I had some, it is easy to work with on a small scale and the fabric can take a lot of abuse..   The dresses are  early Victorian work dress and mid  Georgian in style. The Victorian is left open with an incomplete skirt, this might become fused into a landscape.  The short frock coat is a muddle of eras- but has a lot of construction still left to do. If you want to know how it turns out and which, if any are used, you will have to wait until I do!

P1170796 There is also a big muslin landscape  panel smelling the house out, drying on a radiator (fabric stiffener!- water based does not mean odourless).   Exactly how these will come together I have no ( too many) ideas. It may become free standing –  or may not. Depends on how well the stiffener works.

Speaking of which…. time for a second coat of smelly goo.

( I think it is a form of thick PVA-type glue – happy times peeling it off the fingers)

It feels very good to be out on a limb again.

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Complete.

Consider now that this part is written.  I have sandwiched it between acrylic sheets so that I can’t get to it to tweak.  It is done, dialogue is over, arguments are finished. (hope)

 

fran Brammer Writing the Wolds wix

I have deliberately left it raw – elements are untidy, thread tails left on, it is after all about histories,  they are never as tidy as we would wish and will soon include now and next so don’t ever really finish.  The layers and fragmented quality is still strongly there, but that is how I see these places –  an accumulation of influences and needs , altered and adapted,  not always coherently or aesthetically.

These pieces should go on exhibition for the Literary festival in York in March and then for the York Open Studios in April.YOS Logo Short_CMYK 2018  Framing decisions are being painful – every thing looks wrong, maybe need more marmite in my life- but it is going to happen, I need to see them out and about.

Looking at them all as a group  is quite unsettling. I have been wolding now for the best part of a year and it is still changing.  I tried to put the slideshow in order, starting with Huggate – strong colour and pattern, then through the abstracts to the last 3 written ones. There is a sense of belonging together but only if you see them all.  Spot the summer ones and the winter ones!

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I have also put a few more dates on my website for starters’ workshops and for the more adventurous, please take a look.

 

 

 

 

Northern College of Costume Exhibition

ncc flyerThink you are not interested? markterry_170509_8660cropThe latest group are putting their efforts on display this weekend and it is worth taking a look.

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This is good old fashioned history based theatrical costume making.

Never wondered how many component parts go into making one Tudor “dress”?  Well, now is the time to start wondering and also have the opportunity to find out.  At the same time you could take a peek inside  a Teddy Boy’s pockets, or ask the ladies about their 1940/50s evening wear.

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I went along as a dresser for the Tudor photoshoot in our local Tudor Barley Hall. Those big skirts over farthingales and the stays can take quite a lot  effort to get on and then to manage. It was so atmospheric in there – I can’t wait to see the photos.

The Teddy Boys stayed in the city centre down one of the seediest side lanes. No romantic Tudor beams for them. The final shoot of the day was at a Neo Classical chapel. A rather busy day.

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Take a look at the complexities of the makes, see what can be achieved with some  ingenuity, hard work  and a lot of know-how and guidance. And then think – this was all achieved in 15 weeks!

I did the course a few years ago, and survived with battered, stitched fingerends and a lot more skills than I started with.

If you are in York, do drop in.

markterry_170509_9194cropallPhotos : Mark Terry

Silver Birch is Cloned!

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Last chance to come to the Open Studios this weekend!

I have been busy with the event but still managed to create big mess inbetween. Am quite proud of this, it proves that no matter what the stress level, scattering debris  is a natural part of my creative process.

I have spent this morning making up a tote bag with  the fabric I had digitally printed.  I have reservations about it but as I have already sold a couple of panels  I guess it looks alright.  What do you think? It is a little reflective so the colours seem a bit muted in the photo- the birch tree stands out well, and the fabric is nice quality cotton.

I really am not good at this marketing  photography!P1060684