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New Garden

20190702_083204-collageAnd this what happened…..  P1180545

after those more exploratory photos, after deciding just to use line and layer  and layer. I want the complexity of the plants growing in and through each other, the idea that it changes, it is emphemeral, and makes its own rules….   then there is the sheen on the velvet – as you can see at times the stitching just disappears. Usually when I am trying to sew it!img_20190703_171509739

At the next stage – some how the pink helps a little- it is the hottest, boldest pink I have over the top of flame red! The background isn‘t really this dark,  more of a golden greeny darkish sort of colour – but mostly all you notice is the velvet’s plush surface quality.

All this is how it is now. It is in a plain frame testing whether it looks finished – I think it might be. The temptation is to add more, and more, and then some fabric bits, some texture, but I am still trying to keep it pared down in the lumpy bumpy department.  Still not sure it looks like mine, some of the shapes…. ? and that emerald green… far too close to veridian…more adventurous with detail or less?… variety of scale?  I guess more to do.

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And don’t forget the York Textile Artists’ exhibition in Knaresborough – on until 19th July and totally amazing. See our social media or sign up for the group’s newsletter for the preview’s photos. I also heard this morning that I have been selected for the Great North Art Show so see you in Ripon!

 

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Exhibition ON

The Art in the Mill Gallery, Green Dragon Yard, Knaresborough, Yorkshire.  Wild about Textiles, summer selling exhibition by the York Textiles Artists group. On until 19th July.  Utterly gorgeous, please visit, and if you don’t know Knaresborough, it is a gem of a market town, medieval castle, Mother Shipton’s Cave,…..

Advert over: back to the garden series.p1180508

Well, that didn’t take long.  All of the garden worp1180487-collagek so far is in Knaresborough, looking good, but it is their first public appearance so please be nice!  A new length of muslin has been painted to make scarves, a piece of velvet has been tie dyed and is drying in the garden so new work is about to happen.    I have been sat in the garden with a camera while I wait, which  is fine,  but I don’t want to stitch a photo. The first batch are too ‘ picture’, I would end up copying detail and perspectives. Not what I want from this series, so I have been changing depth of field, focus, lighting, really playing with how I use the camera.

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And  so much better. This is closer to how I have been painting the fabrics and stitching, those layers, part seen shapes, edges, blurring, patterns and suggestions. Is this more control or less?   Now to start on the front flower garden! 

 

 

Meet Garden IV – It has come together quite quickly, not finished, but not far away.img_20190616_131721563

This is again based on my little front garden. This is my colour space, my home head space – it is right out side the workroom window. It is a joy watching it grow, even the weeds, and given half a chance I sit on the front step in the sunshine with a coffee and see the plants at their own level. Apologies to the neighbours.

The idea is not to reproduce as in a photograph but to try to give an impression of the garden, so no individual plant details just notions of shapes, scale, textures and colours, and back to no real sense of perspective other than by layering.

This has a fulltime velvet ground, two differnet kinds, one part dyed and pieced with the nap running in different directions so that it catches the light differently. And then off with the stitching, and then more stitching, and even more. The fabric patches – silk chiffons and red velvet were scrap donations from Natalie and Ruth, local textile artists who have just joined the same exhibiting/support group-  York Textile Artists.

Then more stitch – simple leaf patterns, layered up in different colours, scale and orientation. The hard bit is not to get stuck in representation. The trick seems to be to have multiple viewpoints so the relationships between the different areas changes and boundaries are fluid.

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The back – remarkably like the initial sketch ( reversed of course)

The current status is close, the background needs more tone and contrast, and it is missing the yellow weeds which should give the foreground more pop. I feel a bit of a pluck coming on, so out with the pointy tweezers of doom.

There is only a week of making time left before the group exhibition so it had better happen quickly!!

Remember – 28th June 7-9pm Preview  Event, 29th til 19th July – exhibition – Wild About Textiles.  At the Art In The Mill Gallery, Knaresborough.

Garden III

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Garden III is making slow progress,  more of that, garden II is about to be properlyframed, but what has taken most energy is prepping for the Knaresborough exhibition. All that needs doing is finishing work, framing, newsletter, social media promotions, co ordinating group members and gallery, herding cats, biting furniture, gentle running round in circles and mild panic. And all of the usual day to day business as well. Which all equals chaotic headless chicken-ness.

It is going to be fun. Just a couple of weeks to get it sorted out.

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And back to Garden III  – This has been stitched, trimmed, plucked and stitched; and still doesn’t look much different. The first layers of flowers are in place – these will be the amorphous blobs in the background with bolder shapes and tufts of fine silk to give it body over the top. The velvet is enjoying itself, it is eating all of the colour I put on, do you believe there is burgundy, royal purple, dull straw and  bright straw, bright navy and of course 5 shades of green, and pale grey and white in there?

There is the splashes of flower colour, stems and balancing to do, and then it will be done. Say it quickly, and it sounds easy….

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garden II: ii

Not much mileage yet, but ideas and prep are in train. I shall claim to have been distracted by a visit to Croome Court, Worcestershire , and Grayson Perry’s Battle of Britain and Landscape tapestries.  His work is always worth a look, these were impressive, detailed and full of quirky character.

I am still not entirely sure that these are finished, they are loosely placed in raw frames, just to get an impression.  They are not as I had thought initially or planned initially, mostly because of the quality of the velvet, as a colour, and as a surface.

In garden III  there will be less velvet, more spaces, and a more simplistic approach.

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The hold up is waiting for the velvet to dry after last minute dyeing. It has a denser and longer pile than before and was originally a plush golden beigey browny non colour, and is now a lustrous beigey olivey green with a bit of a bed-head nap.

It will be based on this sketch from the parents’ garden. And to be awkward I might img_20190605_162822617try this old sample of embroidery. Current plan – loosely applique the velvet to the base-  underlying the hedge and flower areas. Probably patched to get different directions of nap. Dense cross hatching on the hedge. Then lines describing the foliage and flowers will be in a dark neutral and  colour and details will follow.

How much will be as expected? Hmm…

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Don’t forget the upcoming York Textile Artists exhibition, “Wild About Textiles” , in Knaresborough. Preview on 28th and then it runs until the 19th of July. Should be great fun, it is a very friendly gallery and a beautiful historic space.

Textile Artist, mid dither.

20190503_150538-collageLIMBO. I am amusing myself with the big stonelandscape- now called Bob. I have worked hard on it but it still feels as if I am waiting for the some thing else to happen.  

Setting up for the sale event this coming weekend is not helping me to focus – selecting and hanging the work was the easy part, trying to publicise it on social media is frying much needed braincells.

If you would like to come it is running Sunday and Monday in Acomb, York – contact me for details.

Hopefully when that is over it will settle down and I should be able to close the door on the junk/storeroom without fear of avalanche.

I am also toying with a floral theme for workshops for the Viking Loom (most strange). Mad, crazy things full of texture and colour, or should they be serene and controlled and terribly elegant? No prizes for guessing which. Doing samples tomorrow, so bye bye clean carpet.

The head is definitely not fully engaged- probably good thing – I keep having random thoughts and distracting myself-  seeing as I work with an uncaged powertool (sewing machine) should I be wearing protective clothing – steel toecapped boots? hard hat? One of those chain mail gloves that butchers wear to protect against the unguarded blades (scissors) puncturing tools (awl, needle, pins). Can I have one of those saggy tool belts constuction workers wear? Hmm, problem with being a textiley person is that the braincell is now wondering if I could make it in some left over chintz? And which interfacing?

But as for Bob? He is blocking the hallway at present. img_20190505_161610861I did subtle paint treatments to add depth and more stitching, yet random thought this morning was it needs drama, big gestures, lines etc. String didn’t hack it, so out with the strips of waste sari silk. I can’t decide if this is a good idea or not, or how many or few, so placed it where it would cause maximum disruption and I can not ignore it. (Plan well and truely scuppered by going out to the Pocklington area Open Studios for the day. Some lovely textiles on show, but fell for  a little lino print.)

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Scratching Hare – Pete Edwards

 

 

New Beginnings.

It feels like waking after too deep a sleep. I sat down to do a bit of stitching  and have just come to a stop  roughly 6 hours later.  My fingers hurt, I am stiff  and tired. I think I remember enjoying it, I think there was a brief lunch stop too.

The piece that caught up my attention so completely is a coming together of several ideas and processes, and is BIG.  The stone landscape ideas meet text, meet pattern and meet string.

The plan formed as I discovered a torn blank canvas when clearing out after Open Studios.  Rather than discard I decided to try  an experiment and work with the damage. I also had some reject pieces of cotton lawn with text  and stitch on from a previous good idea, and well they had to be made to work.  As you do.

 

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Glued and inked, drying in the garden . See the hole on the right?

The pieces were soaked and glued onto the canvas  letting them form mini landscapes of lumps and bumps, shapes and patterns, then a fair amount of acrylic paint and ink were sploshed (carefully) around.

 

 

 

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What do you do with a large canvas with holes and glued on wibbly bits and thin paint? Well stitch it of course.  There is no point in doing things by half. Lots of little holes….

It is still on the stretcher so all hand stitched. The scale required really chunky yarn so out came the hairy string I use in the garden-  all of the fancy wools and cords  looked too slick.  I am now using 2 strands of  unbleached cotton yarn and making denser areas of stitch, just about to begin stitching across the hole.

This is  quite intuitive in approach, letting things happen and responding to them, yet there is  direction. I intend to add more layers of paint, some monochrome to absorb some underlying colour, some layers of thin washes/glazes so that the colours float, haven’t really decided.  It may well depend on the weather – I will paint it in the garden if fine so I can be really messy and the colours used will be stronger in sunlight! There may be fabric added to extend the textures but I think I want this to be sparse. How it will look in the end I will tell you when I get there. Whether it will come off or not  is not truely important, this is a learning curve crossed with a twitchy fingers project – it is all about the doing.

And as for everything else?  I have signed up to do Staithes Festival in September, have submissions for a few other things out there and am waiting to hear back. The York Textile Artist group have a show in July, a new exhibition in November in York and  are already booking venues in 2020. My own little sale event is  getting closer –  I have found more of the older work that I would like  to move on so instead of a tasteful selection  I have 2 wall fulls to sell!   I will have to tidy up again.  Contact me if you would like an invitation. img_20190426_082332