Tag Archive | art

The Most Difficult bit…. and workshop call

I am an experienced and  effective tutor of art and textiles as well as exhibiting artist. I am.  I have spaces in  Wednesday evening and  Friday morning  classes –  all levels and stages of experience and aspiration are welcome to come to play and enjoy creative textiles. Please contact either through email (on right) or the comments if interested. There will be coffee and tea, but I have already eaten the biscuit stash, (marketing not a strong point).   I thought I would get this out of the way before anyone reads the rest of it……

 

Well the Fairly Large Beastie with Sprouts  is steaming along,  nearly all of the base sewing is done and some places have multiple layers of work on them. This is where it gets difficult – there is a huge investment of time and effort in there and it is going from the experimental building phase to the consolidation phase.  Now I have to weld it all together, make those early decisions good and work upon the thing as a whole.

The stitching on the hills is the point of no return – so far a light varigated and a dull mid blue on the far left slopes. Still don’t like it – too flat and contrived. The treeline has  more stitch in it, working in blocks of hatching like the original sketch – might leave the trees behind as they are – very crude and sketchy.

The right is better – closer to the experimental rough work – but I still have to be brave and commit to working on the road way.  There are just too many niggly decisions attached to all the areas.  What I want is to  take alot of that green paint out – it flattens and homogenises now that I’m trying for subtle.

IMG_20190120_095817707

I may be drastic, it may be bold, or it may be stupid: tell you afterwards.  The inking option is about to be realised. This is a bit derring do – sink or swim- in my best tradition.

 

Always was going to play with wet colour  in the top half – blooms and runs of  ink/stain washed and scrubbed into the fabric. Its time has come – the stark flatness of the calico is distracting  and killing the subtle stitching done in the tree line.     Will this be tightly controlled and considered? Of course not, what a daft question. It is going to be -do it and pray, then do some more, have a coffee, start thinking about bleach, rinse off in the shower and worry about the how and where of drying later.   It is a cold, dank and damp day so not happening outside – this will be attacked  flat on the biggest table and apologise to the carpet afterwards ( I think of the splashes and drips as honourable  battle scars).    I just hope I  have some inky stuff hiding upstairs. Should press it and de-whisker it first. Why is everything so complicated?

Probably not my brightest  idea.  Definitely not, but I can not bear working on something that is going flat and predictable on me. Deciding not to use big, blank spaces in the composition – which twit advised that?  Umm, me.

Please do not call round today – it may be dangerous.

Oops.

Advertisements

cOLOUR bACKWARDS

I know it is a bit of an obsession, but….  and it is giving me a head ache just trying to be coherent and wonderfully together over that old bugbear – COLOUR, and structured working practice.

IMG_20180713_143732604

So which approach is the most effective?  Is what I am currently doing working –  umm….

are past approaches better? umm…..   Define ‘better’.

OK, harmonies are meant to work well together, but without contrast become bland or flat.   Using low saturation complex colours reads as beige.  Beige has a tendency to read as grey or to disappear. Multiple broken colours tend to eat each other.   Rayon threads rely on light levels and quality of light to read as true colours.  What works small does not work big.  And that is just the start.

So start with a ground. Let this show through a little and it can make subtle differences lifting or squashing colours, make shading, and all  without multiple  thread changes. It can also help with transitions between colour areas.  Saturated base colours throw everything else off kilter, pale yellow is easy to overpower, but it does make it more exciting.

So create a base of  either coloured fabric or applied  fabric pieces. Or how about tapestry wool which can give a more complex, finer areas of colour to work over.  Does this make it sound easy? Yes.  Can’t be that easy in my little world.

IMG_20190101_133011611

And this is the idea at present, big bit of work to be the next making.  Looks just like the sketch! At the moment it is merely one lump of old patterned silk to be the base for the forground scrub and some rough stitched tapestry wool as the base for a stand of conifers.  The fabric is to argue with the following colours and to give a coherence, the yarn is to work  with, providing  harmonies and depths of colour and texture. The next layers will be machined – but what?  mid tone hues to get the colour established?  Shadow colours to start creating depth in the foreground? Should it be more neutral colours to work out tonal ranges and contrasts?  Or will it be the usual erratic and dabbling approach, as in ‘all of the above, and then some’?  It is so big that I may have time and space to try all of them, repeatedly.

I think I need to find a fancy name for my working method that will it make it seem more deliberate and artistically worthy.  An ‘ism’ perhaps.

If the witterings haven’t put you off- remember I have several  come and try opportunities  very soon. Take a look at the workshops page on the website or on the other pages on this site….

 

Happy Christmas

middlesbhut I have definitely survived the Mid-winter Hut in the Middle of Middlesborough  experience but it has taken quite a while to organise the house back to some semblence of order.  Now most things are sorted – all now have some where to go and somewhere for me look when I can’t find them.

It was good to  see a selection of old and new work together, to see the constant and also progressive elements, and to see how a new audience respond. They were not looking for art, not looking for textiles, I was in their patch rather than them coming into mine, and the response was either blank, disbelief or real enthusiasm, one guy went and fetched his friends and then his family to have a look! (Didn’t buy anything though,  still waiting for my millionaire to roll up).  Can’t really compete with the Reindeer Parade or hot street food.

So I have put all of this year’s efforts up at home, just to see where I have got to,  and…. it doesn’t fit. I need a bigger wall, in fact 2 bigger walls. The snapshots do not include the larger pieces or the last winter walks offering.   Very surprised. Rather smug.  Bit confused. My perception of  the last months seems askew, the pictorial is as strong as the abstract.  Some of the tangents  do seem less tangenty.  Since I stopped doing the pure  process based things  the 2 extremes are working together, a bit forced in the hybrid pieces but more comfortably in the newer bits – like the Winter Walks.  And as for the basics – use of stitch, use of colour and surface , they are dotting about all over the place.  Perhaps  the separation was a good thing, it let the ideas about how I should work get tested out and now I am reverting more to how it is natural for me to work without over thinking.fBrammerWinterWalk

One thing is certain, this is a cyclic trend. I have to test, to try, to ask. And don’t always see the answers immediately.  Above is Winter Walks, I think it is finished now, even quilted it a little. It has come quite a long way from the mangled thing shown last post. Next post I think should be his life history.

Think is definitely time for Christmas. Hope you all have a thoroughly enjoyable festive season and  recover quickly from the New Year celebrations.

ps new workshops are listed on my website and the frantextiles facebook page, plus some sale items.

Texture Workshop

The next 2 weeks are  to be spent exploring textures in the workshops-  looking at raising and lifting surfaces, adding in and taking away.  Mixing techniques and combining processes to make that shift away from craft into art textiles. Workshops will run on Wednesday and  Friday  of the following week.

Contact if you are interested.

Up comong events –

York Textile Artists at the Cemetery Chapel, York,ytaexhibflyer100

Askham Bryan  event

Standing in a hut in the middle of Middlesborough in December

Also breaking-ish news – will be doing the YOS19 next April.yos19

woodland stitching

P1070181 Yep, it is a woodland view. Honest! Can’t you see it?  Arching canopy, meandering path, tree trunks, sunlight?  It is a leap of faith and an act of will.  Even at this stage the thinking about stitch patterns is apparent – directional to describe surfaces, and more random for textures.P1180092small         Spent ages on the detailed study – went round the corner and preferred that composition! Typical. Only had time for quick sketches to record the general idea. The sketch with the arrows is the stitching plan. Flat lines, some zigzag, lots of little happy squirms  for the canopy.  On the whole the machine stitches follow the basic patterns set by the hand work, but in some areas an under strata of filling stitch were put in to increase the density or to surpress the bulk of the wools. And this is what it became.  P1180091small  Looks a bit 18th century to me. The frame is the same as used for the rest of this series but without a mount – it was just too stark, the mauvey colour is the fabric colour.

This may be last of these for a while – I want to get back to the happy anarchy of lots more texture and building as I go rather than in predetermined layers. They are soothing and relatively swift but a bit like white bread – great in small doses, bland if over indulged in.

And the whole series?

Field View

This is a record of this way of working with colour in its most simple form.

IMG_20180712_203441349_BURST002

  1.  Select subject – clear shapes and lots of tonal contrasts. Colour palette is restricted, so is the texture. Should have photographed without the front stuff and before the sun went down!IMG_20180713_143459425_BURST001
  2. hand stitch. This is the main source of colour, but can not be too dense or the machine will grumble. Use direction to give ideas of form and textures.IMG_20180713_143732604
  3. Threads – muted range, chosen more for tonal value and warm/cool values than hue. (the purples were far more brown and dull, the end colour is dark olive!)Aviod plain grey – too stark, use more sophisicated colours.  One or two stronger colours for get out jail free cards, but to be used sparingly.IMG_20180713_151235095 (1)
  4. First layer- establish main tonal zones, vary stitch patterns to create more separation.IMG_20180713_162948339
  5. Second  layer – highlights and shadows, working in a variety of ways to build surfaces.Spot the vertical lines, cross hatching, wriggly squirms and zigzags.                      IMG_20180713_163841876
  6. Top dressing – final tweaks, adding details, evaluating and finishing. This style has to be at a distance- pin up, make coffee and walk towards it to make sure the contrasts and values work.                                              IMG_20180713_163905165
  7. Drink coffee. Still need to press it. Later will do.

These method at this scale is relatively quick and surprisingly effective. This mini series is part of the Falling Light family of woodland studies so this style which encourages me to emphasise tone works well. This little beastie was done in a morning – or would have been if I remained focussed  (blame Wimbledon and the Tour de France). I find it quite limiting so the selection has to be strong enough but without too much fuss. The limited palette range could be expanded at will though I like the simplicity of focussing on tone – been doing a lot of pencil drawing at the moment so I guess the two disciplines are cross pollinating again. Scale is a problem – bigger means more time hand stitching and the need for more complex stitch patterns.

May Day Sun

Well it is Bank Holiday…….    How many excuses do you need to sit under the apple tree  and stitch…,

Just plugging away on these landscape stones – trying various scales and also inserting them into  a whole section of cloth.  Not convinced they have mileage in the current form, but it does allow me to be outside in the garden. The sun is warm, the light is soft,  the blossom is so delicately fragrant and alive with bees, have icecream ready. Ignoring the weeding and mowing and clipping and…….P1170875

Just started on the  summer classes and workshops –  I just reall enjoy enjoy teaching in my own place –  everything I could need isright there- but a shame about the tidying up required.   The list is on the Want to try Page (tab on title bar or side menu)