Tag Archive | embroidery

anything other than the Sprout!

img_20190106_095710824This was last week, rough and scruffy paint to give me some idea of where and what when I roll it up to sew, ( also handy when upside down and stitching!)  It is very sparse and undeveloped with the two blobs waiting for attention on the right- they will become thorn trees.

I worked on this on and off during the week and then took it as my work in progress/demo piece for the open day at Viking Loom yesterday. It has progressed in many ways. This is it now –  the blobs are very sprout- like,  day old boiled sprouts. I do love this colour but at this time of the year the associations are somewhat unfortunate….

IMG_20190113_103426461 The bottom left is just about done – some areas will be plucked to break up the colour and surface, and a top dressing  required on the conifer belt and the major bushes, but they will happen later as part of the ‘balancing’ stage. It is a case of where has all the brown and orange silk gone? Waste putting it in? Never – it peeps through in places and lends an intensity to the colours above.  and most of all it makes the thin spots in the stitch work as a positive rather than look like holes! Really pleased with the mad green varigated section of tufty chenille wool and the scrunched  and shredded bleached sari lengths at the bottom.

Pics below show some of the evolution – working in layers front to back, the type and density of stitch and the fabrics used.

I don’t like working one section up like this but I kept losing sight of the whole and started to get worried by the scale of the thing.  It really does show how dense to work is – the plain calico looks blank and bland, the paint looks flat, the sprouts and tree line look like a bit of nonsense. The other problem is the distortion caused by the stitching. This badly needs stretching before I do more. I had meant to leave the distortions as part of the nature of the beast but the piece is already very out of true.-

Next tasks – fore and middle ground to the right- sort out hillsides, get some flatter stitching in , maybe partially  happen to a sprout or two as well.

I am trying out Instagram (oops), so see daily-ish updates if your life is lacking sproutiness, and of course don’t forget about the upcoming opportunities – every fortnight Wed eve and Friday am  from 23rd Jan – introductions, techniques or project work, as you please.

Advertisements

Machine embroidery workshops and progress!

I have a series of dates avialable upto mid March  for learners and enthusiasts to come and play in my workroom, a chance to get started or to develop  your own ideas.  There is a basic programme but it  is there to be cherry picked or ignored as desired!  I am offering 2 hour sessions  on a Wednesday evening and Friday morning once a fortnight.  Details are on the website.

As for the new Biggish Beastie – Well, did you really expect me to pay any attention to myself? To follow my own guidelines and expectations?  Silliness.

Could not get my head together so sidestepped the problem to find fresh anxieties and questions to avoid.

This was where we left  it – rough patches of fabric, woll stitching, just beginning to map out the major areas and hint at textures. So found the blankness too big, and processes too slow.  Bring out to paint! Lay down some background, make it so I can see what is to happen rather than having to image it all the time.

This was thin acrylic with textile medium and worked in layers to build a bit of surface –  all so high tech –  printing off  scraps of cellophane and combing. It can not be thick because of the stitching to follow and is only the supporting act, not the main attraction.

The first layer of crosshatch stitching has started to weld the conifers together and wandering lines have begun to describe the scale and nature of the belts of vegetation and hedge lines.   There is still far more work ahead than behind but the structure is established . How much of this will be evident at the end? Very little, I expect, but I have more confidence in it now, it is less fluffy ideas and more directed intentions. Does this mean I know how it will look? Of course not? As ideas come together they will have to adapt and compromise untill they fit together, but this is the start of the real dialogue.

img_20190106_095710824Next steps? – Probably map out the treeline and foreground. Start on the empty space in the right bottom corner, but keep the interplay of spaces and concentrations of colour and texture going and build on them.

It needs ironing again. Already.

Fractured

I set myself a task of reworking ( repurposing?)  an experimental piece I found lurking in the deepest, darkest cupboard. It must be at least  be of an age to be taking exams and leaving school for an exciting future – well, it got me and my rotary cutter.

Carrying on with this compromised landscape theme of imposed divisions, patterns and shapes being distorted by having to fit onto an imperfect surface, it seemed appropriate to play over the top of this discarded piece.

It was sliced and diced totally arbitrarily into 3″ish pieces and patterns and lines from the current sketchbook worked over the top.  The images are from Great Fryupdale and Rosedale on the North York Moors.(and yes, they are real names).P1180246  The level of  aesthetic consideration and planning was kept to a minimum – after all most landscapes are the result of practical and  pragmatic  decisions.  Some I think have worked well – they retain an element of landscape, others are more abstract, some have all the charm of  the Vale of York on a cold and soggy  Sunday. At this scale the stitching often feels crude and working over the mixed layers  of flimsy synthetic sheers and net  was a bit of a nightmare – no wonder I shifted onto heavier fabrics.

These are going to be presented as greeting  cards rather than get reassembled, so may achieve that exciting future after all, as they spread far and wide.

Please check the workshops page or website for the next classes – the next, Colour, is fully booked but there are spaces after that.

Do make a space in your diary for the York Textile Artists exhibition  in November, and I have taken an opportunity to stand in a hut in the middle of Middlesborough 2 Sundays in December  selling my wares, so please come along if you can.

Persevere

Perseverance, sticking to a task, dogged determination or just plain stubborn. Either way it can pay off, or it is the biggest waste of time, emotional energy and effort.

P1180026

Before- detail.

I do suffer from this, but this time it has worked well. This piece was conceived years ago, sliced and diced when it didn’t work out and then has lived in the bottom of one of the stash hide aways – it came back out a few months ago, lived in full sight since, and then last week it met the scissors again. The same people who apparently have never seen it before ( been on the main wall in the work room!) suddenly went Wow! so I guess it was an improvement.

moors and coast

And the After – still needs de-whiskering and framing.

Considering this- looking at the working methods it seems I do go round in circles while travelling forward. I use materials differently now – far less fusible and fibres, more lumps and rawness,  less precious,  but the colours, contrasts, ideas of line are so familiar. Even putting it along side the landscape stones there is the same thinking, the same perceptions evident, but these new quiet monochrome daft pieces are far braver and far more challenging.

 

Writing the Wolds

Happy 2018!

Some things do not change – I am still working on this series, trying to respond to the landscape in more than an oooo isn’t it pretty,  or a purely practical factual way.  These local hills are self contained, even a little out of place – chalk uplands happen across the South of the country, very few outcrops occur in the North. They are less dramatic than their more famous neighbours of the Moors and Dales, but have their own charm and character.

 

The latest effort has its own charm too. Somewhat eccentric and well hidden charm.

The premise was simple. The research I have done threw up contradictions, this landscape and  attitudes to it  are quietly dynamic. What we see are the results of time, fashion and economics , as well as the odd ogre events such as William the Conqueror’s Harrying of the North. I wanted to include some of these things into the landscapes that I create.

 

P1170742

This is the background, textured cloth backed with

P1170736

Outside, on the washing line during Storm Eleanor!

calico and covered with machined excepts from  Wm White’s 1840 History, Gazetteer and Directory of the East and North Ridings of  Yorkshire. This describes the transition to enclosures and plantations of trees, also the changes in crops and land use. He was optimistic, changes were happening for the better, the place had a future. The rayon thread was perhaps a bit too subtle – an attempt to stain and dye took the newness off the cloth but no more. It also caused wobblage and bobblage of the surface fabric making it even harder to read! I can’t press it out yet – it would fix the marker pencil I’m using.

 

 

On top of this are going to be scraps and remnants from previous landscape work. Shredded and frying edges should help to bring the layers together…..P1170725 still experimenting…

The foreground text is a translation from the Domesday Book about Pocklington, how it belonged to Earl Morcar valued at £56 but now to the King at £8. Many manors are described as “waste” – still not having recovered any  taxable value since the Harrying. This is worked out from the remnant onto a layer of water soluble fabric (prob not a good idea). P1170740Strips of colour and texture are going to be added to give more form to the landscape so some of the words may well get lost, others may unravel (will), but a few may still be there. A little like the evidence of Norman occupation of the Wolds themselves.

P1170743

More fragments and excepts  are planned – the trees to the left are earmarked for Baines’s Yorkshire , but all of this is going to be worked over with a pictorial landscape- knowing how much to do and in which sequence is giving me a head ache. I have tried ways of stitching the layers but have yet to get it work, text on the water soluble is also hit and miss, the misses offer as many  opportunities as the text does. So how much effort do I put into getting it to work? How do I wing it and just work with what happens?

And then framing this series ……. nightmare……

But new opportunity for workshops to be investigated, showing work at the Merchant Taylors for Residents Weekend v soon,  some pieces to sort for Literature week for the gallery in town, and of course Open Studios to work for! So why don’t I feel busy?

Words and Wolds. Fact or fiction?

This slideshow requires JavaScript.

P1170707What has happened to November?  Who’s nicked it?  I started the big mission piece and have just resurfaced to find that  a month has gone!  Admittedly not every spare moment has gone into the piece but  it has gobbled up time and so much thought and energy. It has been on the wall  having fester time for  about 4 days –  since when I have constructed a toile for a new  jacket  pattern,  started little embroideries for the Tree Project, made stockings for the local foodbank appeal,  been to the Knit and Stitch Show in Harrogate, taught a whole day workshop at the Viking Loom, and have sorted out a day of sewing to do today (silk velvet!!!!).

The fester time was supposed to allow detachment, a separation between making mode and  hard eyed assessment.  It may be working too well., I was  expecting a dialogue about the legibility, the weight of the image, the relationship of past and present, but as  yet have no traumas, arguments or quibbles.  I even have new angles and  proposals to take the core idea forward, and instead of slog,  the future  making looks exciting again.

….. I am     content   with it,  at the moment.

 

rules not to follow.

Rule one : don’t have rules, don’t follow them

– Difficult to do, by following the no rule rule I am following a rule  so can’t be following the rule of having no rules, umm. Welcome to my idea of logical and sense.

Rules  make my responses predictable and formulaic. As soon as I make rules the fun goes out it. Yes, there are ways of doing, approaches that work, but they must not become a rut.  The techniques must serve my purposes, not dictate what I can do.

Rule two

Stitching must be neat, lines parallel, corners precise.  Thread must match the fabric and always use the ‘right’ needle. 

Use what you have,  use what you need, use what works. Make not having the ‘right’ colour an asset.  This is a tree with only one green, the variations give it life.

 

P1170639

Your tension must be perfect. Either the threads should cross within the fabric or ideally just below for freehand machining. Looping is very very naughty.

P1170644

 

Nah . You sew with 2 threads so why not use both of them?  It can be fun to let the bobbin thread show to give little picks of added colour or tone.,  pull loops through to the surface – get more texture and volume out of that row of stitching..  I am not making seams, there is not going to be that sudden draught  as you sit down too quickly.

Rule three

Keep arms and legs inside the vehicle at all times.  Edges must be neat and all ends sewn in.

P1170647

Nope. Surfaces are fun. Okay, sewing through a dense jungle can pose problems but there are always ways and means, from the excellent kebab stick to tissue paper.

Rule four.

Never give up.

Do. Don’t be precious. Let go.

Scissors can be a creative tool. Sometimes the premise is wrong  so putting more and more time into a piece will never work.  Chop it, cannibalise it, use it in another way. Don’t let it hang like a millstone.     This was  one – never happy with it, with the soggy blob of a focal point, now it is in two,   much, much better. machine-emroidery-fran-brammerWill look even better with proper framing