Tag Archive | embroidery

Middleton Wolds

 

The Wolds.

Chalk upland. Mix of arable and pasture, characterised by steep, dry valleys, scattered with small, isolated villages.

Never told me about the nosey cows.  The wind.  Wild flowers and small, high speed, unidentified squeaky things.

What was a little walk became 8 miles and took forever! Loved it.

I have been struggling with a piece over the last few weeks  based on this landscape, still trying to redefine how I work and use colour  for these very different hills.

Trouble is I have got so used to the Moors and Dales, the sparse often gnarly hills, the subdued colour, the spaces.  I saw these hills in bright flat sunshine, there was no depth in the shadows,  I was half way up one side of a tight dry valley, couldn’t see the bottom and even the tops were rolling away from me.  I sat for ages just soaking it up until I stopped looking analytically and just absorbed. It became patterns,  the linear qualities dissolved. The movement of the wind through the barley on the hill tops became more important than the shape of the trees. It waved and rippled and then broke into squares and diamonds and back again.  The light was so unforgiving that the barley shone as brightly as the sky and the whole sparkled with reflected colour.

In this piece I set up a flat perspective, tried creating definition and depth with blocks of fabric before stitching. The grand stitching plan was little  down to lots, again trying to push the tops away and bring out the foreground with denser stitch patterns . And again with the colour – lighter and subtle  down to brighter,  mixed and contrasting. Having made friends with purple, now it may be time to work on orange.

It all made sense but it was the result was flat and as unexciting as an elderly Jaffa cake ( found some in the cupboard – very disappointing). Too safe and too considered, where was the personal narrative, the fun, the unexpected elements?

Since finishing (1st time) the piece has been attacked with the demon tweezers, the horizon has been broken up, sections of land turned into sky and the land pattern quilted up into the sky  trying to blur that boundary.  The diagonal of the path up the face of the hill was too strong,  a lot of fabric has been pulled out  and re coloured to soften that. The trees are upside down, colour stitched onto roughly dyed green fabric, spot the orange. Rather than tone the stitch patterns show the differences in the hedgerow. The darkest tone was a deep blue/green put on the second bank of trees and worked as a single colour.   The foreground is stitched vertically with small inclusions to break it up.middleton wolds nearly done

Since finishing (2nd time)  This has been festering, on the wall, under the table, at work, in a bag. Working in perspective lines would have been so easy, but so predictable, so safe.  So…. demon tweezers – the rematch,  soften the horizon even more. Draw the attention away – bright yellow stalks crossing foreground/middle ground boundary, contrast detail colour shouting  about that same boundary – red on green was the loudest option.  P1170439

Has it worked? Does the  piece have more life? Does the simplistic composition give rather than take? Has the colour and pattern compensated  for the narrower tonal range? Do I want to make the trees to the right more distinct- or is that old thinking?

middleton wolds machine embroidery

And this is now finish 3. This has been difficult, but happier now. Not entirely convinced still…..   time to move on.

Okay may be give it a day before the really official declaration of Finishedness.

Don’t forget – Summer Salon exhibition in Knaresborough from next weekend and there opportunities still available this month to come and join a Stitchy Day  workshop.

Yorkshire Wolds-

After all the intense woodland work I felt the need for horizons, to be in amongst landforms and feel the effort and stretch of moving through it. At the root of this is the simple fact that I like lumpy and bumpy country.

 

The Wolds are chalkland rather than limestone country like the Dales, so they have their own character. The flat land seems to be the hill top not the valley bottom,  smooth, steep hillsides and oddly, more Highland cattle than sheep along the route I took.  After a morning of wandering and looking an idea was formulating. This is ‘smaller’ then the Dales, and I kept seeing pattern in the arable crops, the movement of wind through the crops, the networks of field margins, paths, stands of trees. I tried my best to ignore the infestations of the Greater Lycra Cyclist in full summer garb.

Huggate, Yorkshire Wolds.

Huggate. Collages of plucked and stitched fabrics – mostly silks. The exposed oil painting seems to blend in well.

This has emerged initially as a patterned landscape over an oil painting –  still not sure about that dark red. I think it is a bit on the busy side but has a sunlit quality that I like – the contrasts are in brightness and colour rather than just tonal value. I will get it famed up this week then it is ready to go.

It has spawned a little gaggle of mini  ones  as I played with pattern and  shapes. Still want to be bolder and less fussy with this but keep losing sight of what I am aiming for and get side tracked by the fun details.  Just to keep things interesting I am trying two versions of the same view side by side to see if I can separate the safer responses on to one and the dodgier responses onto the other. I fear insanity.

I have added July workshops and dates for exhibitions over the Summer to the Me page- or just check the frantextiles  facebook page.

 

The new Silver Birch

hThis is sat stillish at the moment – sorting out the nature of the background. Will prob go with the washed blue uneven dyed with texture.  The sample piece was the scrap used to wipe the surfaces clean after post-microwave ( oh it’s hot!!!!) minor spillage.  So currently diluting and re-dying with a touch more sky blue in the mix. And remembering that PING means hot. This has been quick to come together and simple to do, but of course I didn’t really enjoy it. It became mechanical, and the physical separation of the layers meant less experimentation and arguing with colours. A little tweaking and balancing was possible after washing out and more will happen as it is compiled but if too much is added then what was the point of the separate layers?

In the interim this has been happening – imaginatively known as The New Silver Birch for the moment.    Early progress was quick, now working harder but  progress is only at breakneck tortoise pace. At the really slow and annoyingly intense stage – will be at this for a few more days yet.

Quick sketches- just to get started with – intend to keep returning to refresh the ideas each time gathering more and specific info. Unless it rains.

First layers – rich blue base colour and first stitch and fray to establish the central tree. Then building up the trees to the left, patterned silk for the lower and then mix of sheer and tufty silk pieces for the foliage. The pics show it as the fabric layers are built on.

This slideshow requires JavaScript.

When I woke this morning the stitchy fairies had not arrived, so had to stitch again today. Below is today’s effort – working on the left section, fraying and stitching, and then beginning the foreground.

A good idea, looks good, but so time consuming. There is a coloured base then  thin silk which is loosely stitched, and then the bulk of the silk is pulled away.( Repeat. Sore fingers from some serious tweezering.)  Love the ghost patterns and textures but the surface is very soft so a lot of sewing to moan about is required.  At least now I can get a feel for the whole composition, it will continue to change as stronger colours are added and shapes and textures defined – maybe another week? Month. Lifetime?

This slideshow requires JavaScript.

Close ups of the stitching,  just because,- crude, long, mostly straight. Just getting the fabrics and composition sorted ready for the finer top working.

This slideshow requires JavaScript.

Will be putting July and August Workshops on the Me page here and on the facebook page in the next week. Only planning a few over the Summer, so…..

 

Back to the Woods

Weellll…..    the new creative burst began with an encounter with curious bullocks, dragonflies, two hares and a crazed cyclist ( his lycra must have been too tight).

At this time of year I like being up and doing early. I think my neighbour would object to sewing machines  before 6 am so I am going out sketching instead- just collecting ideas and options, (this did lead to the bullock encounter). P1060814

This morning was in the local woods and it was the little places, the ordinary ones that caught my imagination.  This was a simple view at the edge of the wood, the sun catching the birch tree on the fringe and it was glowing with light seen through the trunks and delicate foliage of the wood proper. A very quiet beauty. No great drama of composition or texture, or even colour, but…..  The sketch is crude and under developed but that view and idea was the one I thought about on the way home.

It is now beginning in stitch. To be honest it is at the questioning phase, so looks like nothing. Hopefully the questions will lead to answers and the whole may be resolved but it will take time.

P1060806Layer 1 the birch – worked on water soluble fabric.  When washed away the black lines  should also go leaving a lacy  web.  I quite fancy manipulating this to create differing densities and concentrations of colour and textures, so the overall shape may change. And it may need some blue for shadows. And….

 

 

 

 

Layer 2 – mid ground – tree trunks. The purple pen is air erasable so should have faded by morning. Used a heavier thread, and for the top set of branches worked over crewel wool to give it more body.

And then decided to add on foliage. This was delicate and almost silhouetted, so the first pass was a dark teal stitched in a stop start pattern. Added in purple for more density, then dark red for dark contrast, bright jade for light and a mid blue to fill in the holes. So the planned 3hrs sewing turned into 5. (Sorry hedge, may be we will get together with the trimmers tomorrow) And this is how is staying for the moment. At least until  tomorrow morning.P1060812

Questions –  What will happen when the fabric is washed out.   I am imagining adding a stitched layer to each of the floating layers as they are fixed down, or perhaps not. It will depend on how they wash out.   Also may need to add more colour  in each layer – again won’t know until the soluble is washed out.  Is there enough for the idea to work?  It may get washed out and then put straight back on another piece for more content to be added.

Do I put it on  a neutral background? or a colour or a worked ground? Or none at all?

And the foreground – how much/ how little? Inclination is to go very dark for strong contrast, but……   I don’t even know if the composition is going to work – will it have that little bit of magic that I saw?

Oh well. I will find out tomorrow, you may have to wait until next week.