Tag Archive | textiles

garden II: ii

Not much mileage yet, but ideas and prep are in train. I shall claim to have been distracted by a visit to Croome Court, Worcestershire , and Grayson Perry’s Battle of Britain and Landscape tapestries.  His work is always worth a look, these were impressive, detailed and full of quirky character.

I am still not entirely sure that these are finished, they are loosely placed in raw frames, just to get an impression.  They are not as I had thought initially or planned initially, mostly because of the quality of the velvet, as a colour, and as a surface.

In garden III  there will be less velvet, more spaces, and a more simplistic approach.

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The hold up is waiting for the velvet to dry after last minute dyeing. It has a denser and longer pile than before and was originally a plush golden beigey browny non colour, and is now a lustrous beigey olivey green with a bit of a bed-head nap.

It will be based on this sketch from the parents’ garden. And to be awkward I might img_20190605_162822617try this old sample of embroidery. Current plan – loosely applique the velvet to the base-  underlying the hedge and flower areas. Probably patched to get different directions of nap. Dense cross hatching on the hedge. Then lines describing the foliage and flowers will be in a dark neutral and  colour and details will follow.

How much will be as expected? Hmm…

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Don’t forget the upcoming York Textile Artists exhibition, “Wild About Textiles” , in Knaresborough. Preview on 28th and then it runs until the 19th of July. Should be great fun, it is a very friendly gallery and a beautiful historic space.

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York Open Studios – nearly ready.

3 days and counting!  Time is galloping.

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April 6th & 7th, and 13th & 14th,  10-5pm. 

All are welcome to come and visit artists and makers of all descriptions in their own spaces. Come and see what is happening and where, it is amazing what secrets can  lie behind the most ordinary front doors.  Grab a free brochure/guide from  a  local library, shop, pub , cafe, or go on line to yorkopenstudios.co.uk to get a list, pretty pics and maps and just roll up! We would love to meet you.

My  venue is no.96 and my workroom is still just that – a room for working in. I have been clearing out all the things that have crept in  from the storeroom and have firmly taken them back upstairs. The workroom door is off again – this is the point of no return.

This year the work is in a series of series, all inter related but also distinct. It will make displaying them all quite a challenge in what is a modestly sized room.  There is a lot more small things, more 3D things and then the ginormous painted scarves.  It will be an interesting week. And don’t forget the eternal tidying up.

This is the current state  I was going to leave the hang until Thursday, so began it on Tuesday. So of course it went ‘hammer hammer hammer,  mutter  mutter mutter, oops’ as I had to keep stopping to move things, complete some framing, trip over some bits that are awaiting relocation, fill in holes in the wall and find the matching paint.  But as you can see most of the chaos is being resolved, the work is up apart from one or two pieces -one is currently hiding, at over a metre tall it can’t hide for long, and the other hasn’t been released from exhibition yet.

I have barely scratched my to do lists –  I think I need a new approach to list making, but have bought cable ties to put up the signage and a supply of biscuits.  This blog was on Sunday’s list, the draft was done but only remembered it today – and rewrote most of it anyway! There is still much to do, the scarves need to find a home, labels etc, setting up the standing landscapes, reorganising the furniture and so on. But it will be ready on Saturday to welcome people into and hopefully share my enthusiasm for textiles and making.    Must remember to remove that post-it note. But on a happier note, every time I think about mowing the lawn or cleaning the windows, it rains. Must have been good in a previous life.

The Most Difficult bit…. and workshop call

I am an experienced and  effective tutor of art and textiles as well as exhibiting artist. I am.  I have spaces in  Wednesday evening and  Friday morning  classes –  all levels and stages of experience and aspiration are welcome to come to play and enjoy creative textiles. Please contact either through email (on right) or the comments if interested. There will be coffee and tea, but I have already eaten the biscuit stash, (marketing not a strong point).   I thought I would get this out of the way before anyone reads the rest of it……

 

Well the Fairly Large Beastie with Sprouts  is steaming along,  nearly all of the base sewing is done and some places have multiple layers of work on them. This is where it gets difficult – there is a huge investment of time and effort in there and it is going from the experimental building phase to the consolidation phase.  Now I have to weld it all together, make those early decisions good and work upon the thing as a whole.

The stitching on the hills is the point of no return – so far a light varigated and a dull mid blue on the far left slopes. Still don’t like it – too flat and contrived. The treeline has  more stitch in it, working in blocks of hatching like the original sketch – might leave the trees behind as they are – very crude and sketchy.

The right is better – closer to the experimental rough work – but I still have to be brave and commit to working on the road way.  There are just too many niggly decisions attached to all the areas.  What I want is to  take alot of that green paint out – it flattens and homogenises now that I’m trying for subtle.

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I may be drastic, it may be bold, or it may be stupid: tell you afterwards.  The inking option is about to be realised. This is a bit derring do – sink or swim- in my best tradition.

 

Always was going to play with wet colour  in the top half – blooms and runs of  ink/stain washed and scrubbed into the fabric. Its time has come – the stark flatness of the calico is distracting  and killing the subtle stitching done in the tree line.     Will this be tightly controlled and considered? Of course not, what a daft question. It is going to be -do it and pray, then do some more, have a coffee, start thinking about bleach, rinse off in the shower and worry about the how and where of drying later.   It is a cold, dank and damp day so not happening outside – this will be attacked  flat on the biggest table and apologise to the carpet afterwards ( I think of the splashes and drips as honourable  battle scars).    I just hope I  have some inky stuff hiding upstairs. Should press it and de-whisker it first. Why is everything so complicated?

Probably not my brightest  idea.  Definitely not, but I can not bear working on something that is going flat and predictable on me. Deciding not to use big, blank spaces in the composition – which twit advised that?  Umm, me.

Please do not call round today – it may be dangerous.

Oops.

anything other than the Sprout!

img_20190106_095710824This was last week, rough and scruffy paint to give me some idea of where and what when I roll it up to sew, ( also handy when upside down and stitching!)  It is very sparse and undeveloped with the two blobs waiting for attention on the right- they will become thorn trees.

I worked on this on and off during the week and then took it as my work in progress/demo piece for the open day at Viking Loom yesterday. It has progressed in many ways. This is it now –  the blobs are very sprout- like,  day old boiled sprouts. I do love this colour but at this time of the year the associations are somewhat unfortunate….

IMG_20190113_103426461 The bottom left is just about done – some areas will be plucked to break up the colour and surface, and a top dressing  required on the conifer belt and the major bushes, but they will happen later as part of the ‘balancing’ stage. It is a case of where has all the brown and orange silk gone? Waste putting it in? Never – it peeps through in places and lends an intensity to the colours above.  and most of all it makes the thin spots in the stitch work as a positive rather than look like holes! Really pleased with the mad green varigated section of tufty chenille wool and the scrunched  and shredded bleached sari lengths at the bottom.

Pics below show some of the evolution – working in layers front to back, the type and density of stitch and the fabrics used.

I don’t like working one section up like this but I kept losing sight of the whole and started to get worried by the scale of the thing.  It really does show how dense to work is – the plain calico looks blank and bland, the paint looks flat, the sprouts and tree line look like a bit of nonsense. The other problem is the distortion caused by the stitching. This badly needs stretching before I do more. I had meant to leave the distortions as part of the nature of the beast but the piece is already very out of true.-

Next tasks – fore and middle ground to the right- sort out hillsides, get some flatter stitching in , maybe partially  happen to a sprout or two as well.

I am trying out Instagram (oops), so see daily-ish updates if your life is lacking sproutiness, and of course don’t forget about the upcoming opportunities – every fortnight Wed eve and Friday am  from 23rd Jan – introductions, techniques or project work, as you please.

Happy Christmas

middlesbhut I have definitely survived the Mid-winter Hut in the Middle of Middlesborough  experience but it has taken quite a while to organise the house back to some semblence of order.  Now most things are sorted – all now have some where to go and somewhere for me look when I can’t find them.

It was good to  see a selection of old and new work together, to see the constant and also progressive elements, and to see how a new audience respond. They were not looking for art, not looking for textiles, I was in their patch rather than them coming into mine, and the response was either blank, disbelief or real enthusiasm, one guy went and fetched his friends and then his family to have a look! (Didn’t buy anything though,  still waiting for my millionaire to roll up).  Can’t really compete with the Reindeer Parade or hot street food.

So I have put all of this year’s efforts up at home, just to see where I have got to,  and…. it doesn’t fit. I need a bigger wall, in fact 2 bigger walls. The snapshots do not include the larger pieces or the last winter walks offering.   Very surprised. Rather smug.  Bit confused. My perception of  the last months seems askew, the pictorial is as strong as the abstract.  Some of the tangents  do seem less tangenty.  Since I stopped doing the pure  process based things  the 2 extremes are working together, a bit forced in the hybrid pieces but more comfortably in the newer bits – like the Winter Walks.  And as for the basics – use of stitch, use of colour and surface , they are dotting about all over the place.  Perhaps  the separation was a good thing, it let the ideas about how I should work get tested out and now I am reverting more to how it is natural for me to work without over thinking.fBrammerWinterWalk

One thing is certain, this is a cyclic trend. I have to test, to try, to ask. And don’t always see the answers immediately.  Above is Winter Walks, I think it is finished now, even quilted it a little. It has come quite a long way from the mangled thing shown last post. Next post I think should be his life history.

Think is definitely time for Christmas. Hope you all have a thoroughly enjoyable festive season and  recover quickly from the New Year celebrations.

ps new workshops are listed on my website and the frantextiles facebook page, plus some sale items.

Texture Workshop

The next 2 weeks are  to be spent exploring textures in the workshops-  looking at raising and lifting surfaces, adding in and taking away.  Mixing techniques and combining processes to make that shift away from craft into art textiles. Workshops will run on Wednesday and  Friday  of the following week.

Contact if you are interested.

Up comong events –

York Textile Artists at the Cemetery Chapel, York,ytaexhibflyer100

Askham Bryan  event

Standing in a hut in the middle of Middlesborough in December

Also breaking-ish news – will be doing the YOS19 next April.yos19

Field View

This is a record of this way of working with colour in its most simple form.

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  1.  Select subject – clear shapes and lots of tonal contrasts. Colour palette is restricted, so is the texture. Should have photographed without the front stuff and before the sun went down!IMG_20180713_143459425_BURST001
  2. hand stitch. This is the main source of colour, but can not be too dense or the machine will grumble. Use direction to give ideas of form and textures.IMG_20180713_143732604
  3. Threads – muted range, chosen more for tonal value and warm/cool values than hue. (the purples were far more brown and dull, the end colour is dark olive!)Aviod plain grey – too stark, use more sophisicated colours.  One or two stronger colours for get out jail free cards, but to be used sparingly.IMG_20180713_151235095 (1)
  4. First layer- establish main tonal zones, vary stitch patterns to create more separation.IMG_20180713_162948339
  5. Second  layer – highlights and shadows, working in a variety of ways to build surfaces.Spot the vertical lines, cross hatching, wriggly squirms and zigzags.                      IMG_20180713_163841876
  6. Top dressing – final tweaks, adding details, evaluating and finishing. This style has to be at a distance- pin up, make coffee and walk towards it to make sure the contrasts and values work.                                              IMG_20180713_163905165
  7. Drink coffee. Still need to press it. Later will do.

These method at this scale is relatively quick and surprisingly effective. This mini series is part of the Falling Light family of woodland studies so this style which encourages me to emphasise tone works well. This little beastie was done in a morning – or would have been if I remained focussed  (blame Wimbledon and the Tour de France). I find it quite limiting so the selection has to be strong enough but without too much fuss. The limited palette range could be expanded at will though I like the simplicity of focussing on tone – been doing a lot of pencil drawing at the moment so I guess the two disciplines are cross pollinating again. Scale is a problem – bigger means more time hand stitching and the need for more complex stitch patterns.