Tag Archive | textiles

Back to the Woods

Weellll…..    the new creative burst began with an encounter with curious bullocks, dragonflies, two hares and a crazed cyclist ( his lycra must have been too tight).

At this time of year I like being up and doing early. I think my neighbour would object to sewing machines  before 6 am so I am going out sketching instead- just collecting ideas and options, (this did lead to the bullock encounter). P1060814

This morning was in the local woods and it was the little places, the ordinary ones that caught my imagination.  This was a simple view at the edge of the wood, the sun catching the birch tree on the fringe and it was glowing with light seen through the trunks and delicate foliage of the wood proper. A very quiet beauty. No great drama of composition or texture, or even colour, but…..  The sketch is crude and under developed but that view and idea was the one I thought about on the way home.

It is now beginning in stitch. To be honest it is at the questioning phase, so looks like nothing. Hopefully the questions will lead to answers and the whole may be resolved but it will take time.

P1060806Layer 1 the birch – worked on water soluble fabric.  When washed away the black lines  should also go leaving a lacy  web.  I quite fancy manipulating this to create differing densities and concentrations of colour and textures, so the overall shape may change. And it may need some blue for shadows. And….

 

 

 

 

Layer 2 – mid ground – tree trunks. The purple pen is air erasable so should have faded by morning. Used a heavier thread, and for the top set of branches worked over crewel wool to give it more body.

And then decided to add on foliage. This was delicate and almost silhouetted, so the first pass was a dark teal stitched in a stop start pattern. Added in purple for more density, then dark red for dark contrast, bright jade for light and a mid blue to fill in the holes. So the planned 3hrs sewing turned into 5. (Sorry hedge, may be we will get together with the trimmers tomorrow) And this is how is staying for the moment. At least until  tomorrow morning.P1060812

Questions –  What will happen when the fabric is washed out.   I am imagining adding a stitched layer to each of the floating layers as they are fixed down, or perhaps not. It will depend on how they wash out.   Also may need to add more colour  in each layer – again won’t know until the soluble is washed out.  Is there enough for the idea to work?  It may get washed out and then put straight back on another piece for more content to be added.

Do I put it on  a neutral background? or a colour or a worked ground? Or none at all?

And the foreground – how much/ how little? Inclination is to go very dark for strong contrast, but……   I don’t even know if the composition is going to work – will it have that little bit of magic that I saw?

Oh well. I will find out tomorrow, you may have to wait until next week.

“I Want to be a Tree!”

I have started doing classes on Sundays –  and with working and doing courses at the Viking Loom on Saturdays, this means  my weekends are now harder work than my week!  Have survived and had a good day today doing trees.

I quite like trees, you might have noticed. Todays venture was titled “I  Want to be a Tree”.  They are a fabulous vehicle for teaching this form of freehand sewing. Lots of potential for experimentation with technique, style, texture and colour.  I totally enjoyed myself.  I have polished off the afternoon watching the men’s final  tennis from Paris, and writing the blog, slowly, is the next way of avoiding going out to mow the lawn.

 

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A matter of moments to gather examples, samples and original artwork!

 

With a wall full of tree-ness we spent the day sketching from sources,  refining approaches and exploring processes.

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This one is just short of being finished – a bit more working into the foliage and the trunk filled in and it should be done.

And as for this one…P1170285

June and July I have set aside and making and doing time. Lots of getting out and thinking so approaches and expectations.

But first must mow the lawn……

Northern College of Costume Exhibition

ncc flyerThink you are not interested? markterry_170509_8660cropThe latest group are putting their efforts on display this weekend and it is worth taking a look.

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This is good old fashioned history based theatrical costume making.

Never wondered how many component parts go into making one Tudor “dress”?  Well, now is the time to start wondering and also have the opportunity to find out.  At the same time you could take a peek inside  a Teddy Boy’s pockets, or ask the ladies about their 1940/50s evening wear.

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I went along as a dresser for the Tudor photoshoot in our local Tudor Barley Hall. Those big skirts over farthingales and the stays can take quite a lot  effort to get on and then to manage. It was so atmospheric in there – I can’t wait to see the photos.

The Teddy Boys stayed in the city centre down one of the seediest side lanes. No romantic Tudor beams for them. The final shoot of the day was at a Neo Classical chapel. A rather busy day.

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Take a look at the complexities of the makes, see what can be achieved with some  ingenuity, hard work  and a lot of know-how and guidance. And then think – this was all achieved in 15 weeks!

I did the course a few years ago, and survived with battered, stitched fingerends and a lot more skills than I started with.

If you are in York, do drop in.

markterry_170509_9194cropallPhotos : Mark Terry

Silver Birch is Cloned!

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Last chance to come to the Open Studios this weekend!

I have been busy with the event but still managed to create big mess inbetween. Am quite proud of this, it proves that no matter what the stress level, scattering debris  is a natural part of my creative process.

I have spent this morning making up a tote bag with  the fabric I had digitally printed.  I have reservations about it but as I have already sold a couple of panels  I guess it looks alright.  What do you think? It is a little reflective so the colours seem a bit muted in the photo- the birch tree stands out well, and the fabric is nice quality cotton.

I really am not good at this marketing  photography!P1060684

York Open Studios 2017

Well, this is it folks. Nearly ready – just admin-y things to do.YOS 2017 Logo bleed_CMYKLargehttps://www.yorkopenstudios.co.uk/

Open Sat 10 -6 and Sunday 11 – 5.

Do hope you can come, it is excellent fun and usually informative – I have found some fantastic makey – do-ey people in my local area through this event, one, a jeweller, literally just round the corner!  Of course the highlight will be coming to me! No 38 (take away dish or taxi car?).

blog april

Cornish Cliffs

I fancied seeing how far these patterned and transparent collages on top of images could go. I had this elderly left over canvas from a Cornish holiday – elderly painting -Cornwall coast dodgy paint techniques, over thinned colour, uninspired composition.  Not an ideal choice, too big, cheap thin canvas. Nevermind….  Planning involved more dithering than doing, selecting pattern and colour, fabric types and threads.   Did remember to do one important cheat – traced the big tonal areas onto the back.- more later.

Cornish Cliffs -planning  The Cliffs are 2 different patterned silks – big bold patterned stripes and a coarser faded floral for the headland. The proposals for the sea were layers of sheers – to be decided later.

Back cliffs first- vertical patterning to mimic the rock formations, working from the back the first stitching anchored the fabric and then roughly blocked in the shadow areas. I would recommend working from the back – you just roughly place/pin the fabric on the front, flip over, stitch the lines drawn on the back, flip back and trim the excess away.  No worries about placement or accuracy.

The fabrics were build up block by block – already much more vivid than the paint. The stitching from the back worked well to establish the shapes and masses. The decision to use purple as a shade colour didn’t, it was to clean and strong against the fabric, it was removed or adapted immediately.

I got too excited by the sea to manage to record the sequence. (Lie – didn’t expect it to work so didn’t bother to photograph) It is strips and pieces of 2  tone organzas, purple orange, green red, blue orange, sari strips with frayed edges . Stitching was in one colour using a less regular utility stitch ( think its for sewing elastic) A sheer was over laid and  ripped into.  Was hoping the frays and uneven edges will create a sense of depth and movement.    Did remember to record the beach/surf!

And the sky happened. All as one piece of metallic sheer  with an offcut  underneath to ease the bland flatness. The front bit off cliff was the last piece to do – purple orange organza over the dark areas and a fine metallic green yellow as a wrinkly top dressing.  I ripped the green and stitched areas open  to reveal the purple to give shading.

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bit of top stitching and…..

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This felt like a rough and ready process. The stitching isn’t beautiful, even, or using exotic thread. The fabrics are recycled clothing, donations or synthetic, but it does seem to work. Where I had started doing more controlled stitch I have removed it. It drew attention to itself, too self conscious too fit in with the wrinkles and tears. The whole is very sketchy, but it has so much more life than the original. Perhaps the years of painting were just a way of getting over the need for technical perfection. The  patterned fabrics give so much into the mix. The way the patterns fall is  at best a happy compromise, it really makes me respond, to orchestrate rather than dictate what is happening. And as for colour theory – in practice it is best guess.Cornish Cliffs close ups

So what are the essentials for free hand machine work?  an obliging machine who doesn’t know any better, an appropriate foot that lets you see what you are doing, a seam ripper that doesn’t hide, and really sharp scissors. Only trouble is I now appear to have more scrap fabric than before!

Come and see my work , may be even see some others as well, April 22,23 & 29,30. Click on pic for link to the website.

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Applique Day

Had a wonderful day yesterday  hosting a workshop at the loom. I only took medium course chaosshopping bag of stuff and within minutes reduced the massive work table to my usual chaos!!  The purpose of the day was to explore the less ‘conventional’ styles of plonking one piece of fabric on top of another – sorry, positioning with exquisite skill and aesthetic regard.  My main problem is the understanding that my ‘conventional’ and ‘normal’ can be quite extreme for some well brought up souls.

 

 

Samples of the ‘neat’ – a safe start point-

And then it got hairier and more aggressive as I shared the  ‘other’

processes.. the ones that use sharp, pointy things, ripping open, stitch and snipping. It is always a bit of a shock to see what a complex of  messy looking  stages go into creating a controlled outcome…  My kind of normal.

I still have places on the next Stitchy Day on April 5th.  Please contact if interested.

Also will be doing a  Sketch to Stitch Day on  a Wednesday  and then the following Sunday in May.  This is a new venture, I can show people techniques but you never really understand a process until you try to bend and stretch  it to your own purposes. The day will start with an optional sketching adventure, then back to my work room and we will work at translating  this into a textile piece. I will be developing my own piece, using wet media as well as fabric and stitch to create a landscape

 

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https://www.yorkopenstudios.co.uk/